Turning In Circles is permeated with what is – to me, anyway – a Southern fiction voice. What characteristics do you see as setting Southern fiction apart from general fiction set throughout the United States? (Because I wouldn’t necessarily call everything set in the American south, “Southern fiction.”)
Because I was born in New York and raised in Canada, I arrived in North Carolina as an outsider when I was at the critical teeny-bopper stage. That experience permitted me to observe the South from a different perspective than those who have always lived here. There is a difference in mannerisms, in how families interact, in how people interact in public, and even in the social structure of small communities.
