Is the Happily Ever After Ending a Meaningless Trope?

A recent Smithsonian article (“Why Can’t Romance Novels Get Any Love?”) discusses the lack of academic and intellectual respect given to the romance genre. It’s an interesting read, but just as illuminating were the comments, some dismissive not only of the genre but specifically the “happily ever after.” (HEA) The article offers many points for discussion, but I’m going to focus specifically on the HEA element.

Is the HEA a product of our deluded imaginations – our desperate grasp at a world in which everything turns out well in the end? Or does it point to a divine hope – something more profound than a feel-good conclusion? Is it a meaningless trope or does it point to the theological virtues of faith, hope, and love?Happily Ever After

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Unrequited Love: Can it be true love?

Finally, a topic about which I am eminently qualified to write.

It started with Speed Racer when I was five and continued through a seemingly endless series of boys and then young men (of the non-Japanese animé variety) through grade school, high school and college. I was a charter member of the BGFC ([Name withheld to protect the innocent] Fan Club) in fourth grade. I daydreamed of romantic rides on  Kennywood’s dark ride, The Old Mill. There were crushes on classmates, friends of friends, and fellow interns. Every last one of them unrequited.

Speed Racer

What’s not to love?

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