Your debut novel, The Father’s Son, is what I might call apologetic fiction. Do you think there is a difference in how readers are receptive to apologetics, or a defense of the faith, in fiction as opposed to traditional nonfiction?
The writing of and reception to The Father’s Son have certainly been a gift from the Holy Spirit, and, at one level, the story does weave in a case for the faith Christ left us as essential to living life as fully as God intends. At its heart, The Father’s Son is a very human journey for the main character, David Kelly, confronting the effects of his childhood trauma. From the world’s standpoint, David has everything, but the emotion-filled journey he has been avoiding begins with an unexpected friendship and unlocking the mystery and truth of his past. Beyond apologetics, the core of this is a story is of friendship, redemption, forgiveness, love, faith, and many twists and turns.
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